The world’s leading horror & entertainment
magazine, Rue Morgue, has expanded over the years to not only just a
publication but also an expo, successful film production, broadcast, radio show,
film series and so forth. Editor, publisher and film-maker Rodrigo Gudino, was who
launched Rue Morgue in 1997.
This was the October 2010 issue of Rue Morgue;
celebrating Psycho’s 50th anniversary – it was released in 1960 -
and first appearance on Blu-ray.
The image is of Norman which is a section
towards the end of Psycho where he is caught by the police and put in a sell. When
we reach this part in the film, we fully understand that Norman is half
possessed by his mother - this screenshot shows him as well as half of his mother’s
appearance; this is where we see his weakness and despair. This image dominates
the whole cover, there’s no other use of imagery on the cover, which
corresponds to how Norman is being controlled by his mom. The image is in black
and white which relates back to the time it was released, 1960 – no colour
image productions.
The textual
styling of everything but the subheadings located on either side of Norman’s
head, is fairly distressed; the lettering is bold yet shattered, as well as being
in uppercase form which automatically grabs your attention. In terms of the
styling, the shattered typeface connotes the life of Norman, his life has been
shattered into a million pieces which he tries to amend – by still working and
trying to act like a normal guy - but due to his mother governing his mind;
possessing him, it makes it all the more difficult which results in him getting
caught by the police. The subheadings are in a bold and simple typeface, kind
of looks like an impact text, which is to showcase what’s inside the magazine
but it also helps signify the main aspects of the magazine which is the
masthead and main cover line – these are also in different colours, prominently
the only colours in orange which highlights their importance. The selling line
is located next to the main cover line which is the most important aspect of Psycho’s
feature because Rue Morgue incorporated this film into their magazine since the
film celebrates the 50th anniversary.
The coloration
is blue, orange, white and black.
In
terms of blue, this portrays the aspects of Norman, blue connotes the hatred
towards confrontation and fuss; doesn’t like attention. This refers to how shy
he is as well as how he hates to cross his mother in bad terms. Blue often
refers to the full control of your life, which isn’t supported in this case; in
fact it’s the total opposite in regards to Norman. It’s also said that blue is
the colour which refers to a spiritual perspective which is 100% the case, he tries
to take control of his life but he is mentally haunted by his mom. Not only
that, Norman tends to constantly refer everything in his life back to his past,
he can’t overcome his horrid past of killing his mom which is why he relates
past experiences to the past – he’s predominantly against woman.
In regards
to orange, this is usually the colour that refers to optimism and assertive. It
corresponds to that of lonesome if you’re not around people. Subsequently, I
think this refers to Norman as well as his mom. His mom is very forceful; pushy
in regards to her son’s life. And Norman often feels lonely due to having an unsuccessful
motel business as well as the fact that he has no one around him apart from his
mom’s spirit.
Converging
all of my thoughts to the colours black and white, the black signifies the
horror aspects as well as outlining the main features in the magazine. The white
highlights the people in the publication as well as outlining the photo of Norman
which I feel connotes the innocence of his personality, granted he killed his
mother but afterwards his life was ruled by his mom to which resulted in more
murders. Predominantly though, I think these colours were used for decorative
purposes. They sit nicely against the blue and orange.
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