Taking my
horror research into account, I’ve decided that my favorite choice of scene is
from The Last House On The Left (2009). The scene from Chapter 13
is the one I’m focusing on, where John
and Emma find Mary on the patio porch, realizing that she’s been physically and
sexually abused. We can see how horrified they are; how desperate they are for Mary’s survival - a year prior to Mary’s attack, the Collingwoods suffered a loss of Ben
Collingwood, Mary’s brother. Subsequently
depicting their fear of loosing another child, which makes this photograph very
touching.
Furthermore, the way in which Mary is holding John’s
arm, it conveys how much love there is in this family, it’s extremely
heart-warming to see – denoting that no matter how old you are, you always need
the love and support from your family.
Converging my
thoughts to characters and
representation, this scene visualises the male hero and the female
surival (‘final girl’). Focusing on the male hero, I find it extremely promising how John is a doctor. Up until this point in the film we had only
little faith in Mary’s survival but
from this point onwards, we as an audience feel a sense of hope as we know that
she is in safe hands with her parents. Not only that, Johns face in this photo visualises not only his anxiety for his
daughter but also his sheer determination for saving her. Subsequent to this,
he and Emma work together in revenge
tactics in order to bring justice to their family. In terms of Mary being the female surivor, it’s extremely shocking
because usually in horror films, the blondes are always the victims and the
brunettes are the survivors – her brunette mate, Paige, was the female victim
- so this goes against generic expectations, making the film
all the more surprising.
This film
plays on male gaze a lot, which is a
theory that Laura Malvey focuses on.
This image illustrating it perfectly. Mary’s
a young girl, very pretty with a lovely figure and blonde hair, which is
commonly thought to be extremely attractive so this film has used male gaze in order to entice males for
their own pleasure. She also said that films are predominantly showcasing male gaze due to the overwhelming
amount of male producers, and in terms of The Last House on The Left, is
is the case, the producer is Dennis
Lliadis.
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